Alfred Stieglitz to Hamilton Easter Field, Nov. The bustling turn-of-the-century city life found in the earlier works-lively street scenes of laborers and the changing city-is replaced by the cool, industrial forms of Midtown’s steel-frame skyscrapers. In these photographs the city is seen from a distance, captured in a modern, “straight” style.
#ALFRED STIEGLITZ PHOTOS WINDOWS#
Later, Stieglitz would photograph the views from his windows at An American Place and the apartment he shared with Georgia O’Keeffe on the thirtieth floor of the Shelton Hotel.
In his 1897 photogravure portfolio, Picturesque Bits of New York and Other Studies, Stieglitz juxtaposed scenes from the city alongside those from Venice and Paris, placing New York in the pantheon of the world’s great scenic cities. Instead of manipulating the prints or negatives, he let snow and rain-and often the steam and smoke of industry-create the soft, atmospheric effects valued by Pictorialists. Stieglitz’s early photographs capture everyday life on the sidewalks of the rapidly modernizing city. The Spirit of that something that endears New York to one who really loves it-not for its outer attractions-but for its deepest worth-& significance. As he wrote, “My New York is the New York of transition-The Old gradually passing into the New. These images document the city’s transformation from a roughshod port to a sleek metropolis. Beginning when he was a young man newly returned from studying in Germany and continuing until the last years of his life, Alfred Stieglitz photographed the city of New York.
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